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Once Upon a Time in Nazi Occupied Tunisia review – stiff with humorous intent


The action is tragic; the dialogue frequently grisly-comic. The title of Josh Azouz’s new play tips its hat to Once Upon a Time in America/in Hollywood. The design nods at Beckett. Max Johns’s plywood set, over which a sun hangs like a garish tambourine, features a Godot-like single plant, first a …

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